You’re probably viewing the aforementioned with the notion that you do in fact already know what “real hip hop” is. Yet when asked to truly define that statement, and juggle this with the abundance of hip hop tracks being pushed out in terms of mainstream and underground, your opinion becomes stagnant. Before I delve into the subject at hand, I’d like to say that I’ve listened to countless albums and have been studying the Hip Hop art for quite some time (I’m sure some of the people reading this article have as well), and only to a degree can I describe what “real” hip hop is.

For those who may be newer to Hip Hop, I’d like to go over some slang quickly. A “Purist” (in Hip Hop terms) is generally a Hip Hop head who listens to majority of the classic Hip Hop and quite a bit of modern underground, they feel strongly about what they think “opposes” the initial visions of the culture. A “Backpacker” is generally someone who enjoys participating in the “hardcore” aspects of Hip Hop, generally listening to alternative or underground Hip Hop. This term can be considered derogatory depending on who you ask, however in context of this article I’m using it to describe a subculture. Nothing less, nothing more.

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Posted by LostMoniker on September 21st, 2008 :: Filed under Through The Telescope: Hip Hop and Society
Tags :: backpackers, dj premier, fake, hip hop, jedi mind tricks, kool g rap, mainstream, purists, real, underground

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Hip Hop has always been playing in my household, even in my youngest days I remember the classic ‘93 Till Infinity’ playing through-out my living room, or the classic ‘New York State of Mind’ track from Nas. However, I only thoroughly delved into Hip Hop (and its history) around 2004 (I’m still a youngin’). After I heard about KRS-One and the confrontation between him and Nelly I recall seeing mention of his ‘beef’ with Marley Marl and the Juice Crew; at this point I had no idea who the Juice Crew were, so I headed over to Google and searched with those tags in mind. Eventually, I came across a video in which KRS explained the ordeal and I slowly became fascinated with Hip Hop’s history. Essentially, from that point on I have been “studying” Hip Hop’s history and delving into classics that I either never heard as a child, or wanted to listen to for nostalgia sake; As it stands, I consider myself a “new-school” listener as I never grew up with the earliest Hip Hop music, but I felt that I owed it to this Art that I’ve fallen in love with, to understand it’s history. This is something that I feel a lot of new-school listeners disregard, and due to mainstreams ‘hot 100′ approach even more listeners have a lack of respect for it’s roots.

Before I get someone saying: “We don’t all have to know EVERY component to Hip Hop’s history like you do”, I want to concur. While I do not expect everyone to have a thorough knowledge base of its roots, I feel there should be some generalized regard towards them. There are several new-school listeners I know who have the mentality that “If it’s not on the billboards anymore, then it’s on my playlist’. Something I find to be completely ridiculous. I’ve also came across people who’ve had a more ‘hip-hop’ based sense of the culture, yet disregard the key figures (Tupac and Biggie only count to a degree).

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Posted by LostMoniker on September 15th, 2008 :: Filed under Through The Telescope: Hip Hop and Society
Tags :: bdp, classic hip hop, emee, furious five, grandmaster flash, hip hop, jazzy jeff, juice crew, krs one, marley marl, original, real

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